How to Make a Perfect Bokeh Photos

In photography world, bokeh is a term used to describe the visual quality of a blur area outside the focal point which seems to separate the main subject from the background. Visually, our eyes are stunned when looking at photos with a main subject that is focused and sharp with a soft, crisp and beautiful background. The main subject is very prominent while the creamy blurry background strengthens the impression of dimension and depth. So how do we get bokeh photos every time?

Use Lenses with Large Aperture

Bokeh is determined by the lens, not the camera. The lens and optics in it determine the quality of the bokeh produced by the photo. So use a lens with the settings on the largest aperture. For DSLR and mirrorless cameras, you can use the aperture priority mode on the camera, then set the lens f number at the smallest number. On lenses with f / 2.8 specifications, for example, use f / 2.8, don't use f / 4. In the kit lens with f / 3.5 - 5.6 aperture range specifications, use at f / 3.5.

What is the effect of the settings above? basically by enlarging the aperture (using the smallest f), we narrow the focus space to become very thin, while the rest looks blurry and out of focus.

Bring the Distance Between the Lens and the Subject Photo

The closer you are to the main subject, the more background blur. Why can? because when the main subject is very close, the focus point of the lens gets closer and the sharp space gets thinner. Do you want to try the lens in your eyes? try placing your index finger in front of your face and try to focus your gaze on that finger. Then pull the index finger closer to the eye while staying focused, what happened to the backgorund behind him? the more motion blur is not!

Photo lenses work on the same principle. The closer the subject is to the lens, the more blur the background behind it.

Keep the Main Subject With Backgorund

When the subject of the photo is too close to the background that looks busy, the resulting bokeh will look ugly and busy. Why? because the background is still included in the subject's focus space that still looks sharp. The sharp space of the photo moves from focus to blur gradually, with gradations, not just jumping. So the more the background is made of the focal point, the softer and blurred the background.

Use the Longest Zoom

With the distance from the camera to the same photo subject, using the zoom lens on the longest side will automatically reduce the sharp space of the lens, thus making the background more blurry. So when you use a 18-135mm zoom lens, use it at 135mm. When using a 70-200mm lens, use it at 200mm and so on.

Use the Fastest Lens You Have

If you are obsessed with wanting the perfect bokeh, try shooting with a bokeh factory lens such as a 50mm f / 1.2 lens, or 85mm f / 1.4 or 135mm f / 2 or 70-200mm f / 2.8 when used at 200mm. If these lenses feel too exotic and not affordable, use a cheaper alternative: 50mm f / 1.8, 85mm f / 1.8 or old school manual lenses with similar specifications.

Tips for Saving Lenses and Cameras

High and continuous humidity can damage electronic components and camera sensors, while mold can grow and develop in optical lenses. Once the fungus grows, the optical quality can be affected and we have to bother cleaning it. If the fungus is stuck to the outer surface, it's still easy, if the growth inside the lens element on the inside we will be very inconvenient. Don't forget, also read tips on storing the lens cap and back cover so that it doesn't easily disappear.

Cameras and lenses have mechanical components that need to move smoothly, did you know inside the lens or the camera is also oiled so that mechanical movement is smooth and not dragging? Now if you place the camera and lens in a very dry area (humidity is too low) then this risks mechanical functions can be dragged and disturbed.

What is the Ideal Humidity Number?

Figures around 40 - 50% RH (relative humidity, relative humidity) are ideal for cameras and lenses according to various articles. The safest rule is to check your lens and camera manual, look for the ideal operating range words, then check the recommended humidity range. Now for long-term storage, divide the number by two.

For example, the ideal operating humidity for the Canon 5D Mark II is 85% or lower. Then the ideal storage is around 35 to 45%.

Some of the Best Storage Methods

Here are some storage methods you can do to maintain the condition of the lens and the camera to remain optimal and excellent.

Buy a Special Dry Cabinet or Dry Box, a dry cabinet is a special cabinet that is designed to store electronic goods like the photo above. You can buy it at a camera shop or a large home appliance store. Depending on the specifications, we can adjust the humidity numbers in the storage space as desired.

Silica Gel and Airtight Box, For an inexpensive alternative you can use an airtight box that is commonly used to store and put some silica gel bags. You can also buy special silica gel with a color indicator to find out the water content in the gel as in the photo below. When the silica gel in the box is saturated with water, you can plug it into electricity to dry it again.

I recommend not buying a camera storage box that has a heating element, the risk of the element getting too hot is quite large. When the heater gets too hot, the sensor inside the camera can be affected by the sap.

Photography Tips | How to Hold the Camera

One of the basic things that needs to be done properly in photography is how we hold the camera properly, especially when you are working with a fairly heavy DSLR camera. With good holding techniques, we can help stabilize and reduce shake so the photos are sharper.

The way you hold a camera or use a photographic device is really just a matter of individual taste, and there are no right and wrong words, but building a habit and determining the right attitude when shooting from the beginning will give you a lot of benefits in the future. At least you will be seen as a professional photographer when photographing, at least that's a good reason to try right? The following are some tips that you can do:

Hold the camera using your right hand by grasping the handle on the right side of the camera, and placing your thumb behind the camera, three fingers curled forward and the index finger resting on the shutter button.

Most digital cameras now have a handle that automatically guides where your three fingers should be. Hold your digital camera firmly but don't be too strong if you don't want to produce blurry photos. The position of the left hand can vary depending on the type of digital camera you have, if you use a DSLR camera, then your left hand should be under the camera with the aim of holding the camera load using your palm. The thumb and forefinger of the left hand are on the lens to make it easier to adjust the focus and focal length.

1. Hold the camera using two hands - Remember! Always take pictures by holding the camera using two hands. Sure, taking one hand seems like it will look cool, but not your photos. The use of one hand then most likely the energy expended to push the shutter button will be too large, the power of the grip grip is also greater and the horizon is tilted.

2. Bend your elbows closer to the sides of your body - Place your elbows close to your body when shooting, this will reduce camera shake and shake.

3. Spread your legs to increase stability - One important thing to remember when holding the camera is how you position. Don't stand with your feet closed, spread your legs the size of a shoulder bee so that you have a better balance when shooting.

4. Keep the camera close to your body when taking photos - Even though you take pictures using the LCD screen, try not to position the camera too far from your body. Always try to keep the camera close to the body, the ideal distance is as long as you can comfortably see what is displayed by the camera's LCD screen.

5. Make sure not to block the lens or flash - Friend before pressing the shutter button also must ensure that your fingers do not cover either the lens or the flash.

6. Regulate the Breath - Of course you've climbed the stairs right? and that effort causes your breath to be faster than before, and of course your body will move up and down more frequently as the breath we take quickly.

Privileges Kit Lens Which Is Often Underrated

Kit lens is a lens that is sold in a package with a digital camera. Our average lens has a geeky look, the material may look frail with plastic, and the specifications may not make you proud, but the kit lens is the perfect option for those who are just starting out with an interest in photography and want to make peace with the budget.

Kit Lens Has 4 Classic Focal Lengths in 1 Lens

Even though it looks geeky, a kit lens has 4 classic focal lengths, in other words a kit lens can replace four prime / fixed lenses at once. The four classic focal lengths were: 28mm (wide-angle), 35mm (medium wide), 50mm (normal) and 85mm (portrait).

The focal length figures above are numbers for full frame cameras, the equivalent focal lengths for APSC cameras are 18mm, 23mm, 35mm and 56mm, respectively.

And currently the majority of kit lenses for APSC cameras sold have a range of 18-55mm. Another option is kit lenses with a range from width to near telephoto medium: 18–105mm or 18–135mm. Likewise, when you buy a full frame camera, the most commonly offered lens kit is 24-105mm.

Indeed, the kit lens will not offer a fierce opening, the largest at f / 3.5, but at least you get the basic functions of four (or more) lenses in one kit lens.

Small and Light

The kit lens that is most often sold in a package with an APSC camera is an 18–55mm lens. This lens does look plain, but keep in mind that it is also very light and petite.

For example, the Canon kit lens 18-55 f / 3.5-5.6 IS STM only weighs 200 grams and the maximum length is only 6 cm.

While similar lenses with semi-pro specifications, Canon 17-55mm f / 2.8 IS USM weighs 650 grams and a maximum length of 11 cm. Almost 2 times longer and 3 times heavier.

Same for Nikon. The Nikon 18-55mm f / 3.5-5.5.6 kit lens has a weight of 195 grams and a maximum length of 6cm. Compare with Nikon 17-55mm f / 2.8G DX which weighs 755 grams and a maximum length of 11cm.

If there is a long walk or going on a tour, the weight and size will be very grateful.

Kit Lens Has A Cheaper Filter

Lens filters are still useful, even though we live in a digital age. And for the filter applies this law: the greater the diameter of the filter the more expensive the price.

The basic kit lens as we mentioned above has a small physical size, automatically requires a smaller filter size as well.

Kit Lens Has a Good Minimum Focusing Distance

Minimum Focusing Disctance, as reviewed in this article, is a measure of the ability of the lens to capture objects that are close at hand. We don't expect to be able to match the capabilities of a macro lens, but the kit lens surprisingly has a better MFD compared to a more expensive lens.

The two lenses above (18–55mm f / 3.5–5.6 both from Canon and Nikon) have better close focus capability compared to the much more expensive 17–55mm f / 2.8 lens.

Nikon D7100 Review

The Nikon D7100 is an update of the now three-year old Nikon D7000. Although the D7000 arrived at a time when many weren’t expecting it, as Nikon had the enthusiast DSLR market relatively well catered for with the D90 and D300/D300S, it proved incredibly popular with its match of features and form.

Nikon is looking to repeat the trick again with the D7100. Nikon has once again grouped together a host of features found across its DSLR stable and combined them with revisions, including the updated sensor, added video features and new auto-focus (AF) module among others.

Design

On first impressions, Nikon has chosen to maintain the enthusiast DSLR template adopted in the Nikon D7000. The Nikon D7100 feels solid, with a blend of magnesium alloy and polycarbonate creating a hardy yet lightweight shell. While it might not be as sturdy as say, the Nikon D800, the body more than matches the D7100’s enthusiast billing.

New additions and modifications to the Nikon D7100 include a new ‘i’ button on the rear of the camera, along with the relocation of the video record button to the model’s top plate. The top plate itself is essentially the very same as that found on the Nikon D600, bar the microphones on the camera’s top plate. The mode dial and the drive mode dials have the same locking button mechanism as the D600 – it’s a useful way to stop them being accidentally rotated, but they’re a pain to use.

Features

At the core of the Nikon D7100 sits a DX-format sensor with a resolution of 24.1MP, much like the Nikon D5200, although it’s important to point out that the two sensors are not the same. The sensor found here sees Nikon omit the anti-aliasing filter with a view towards better detail retention, although there can be issues with false colour patterning as a result of the aforementioned absence.

The sensor itself has exactly the same ISO sensitivity range as that found on the Nikon D7100, running from ISO 100-6400 and extendable to ISO 25,600. The sensor also supports full HD video capture at a resolution of 1920 x 1080 at up to 30fps, or up to 60fps if you’re prepared to shoot at standard HD resolution of 720p. A pair of on-board microphones adds stereo sound support, and there’s a mic socket to fit an external one, too. The camera applies a 1.5x crop factor to any attached lens – for example, a 50mm prime will turn in to a 75mm when attached. There’s also a 1.3x crop factor mode at a reduced 15.4MP (vs. 24.1MP native) for improved performance with attached lenses – with this mode active, said 50mm lens would behave like a 98mm optic, should you so wish.

Other new features include a new auto focus module, which has 51 AF points with 15 cross-type AF points – a boost from 39 and nine found in the D7000 – that promises to bring a better level of performance to the enthusiast. The Nikon D7100 also has the Expeed 3 imaging engine, the same as in the Nikon D4, which means it takes an impressive six frames per second.

There are a few completely new features that debut on the Nikon D7100, too. One of these is Spot White Balance, which lets you set the camera’s white balance for the whole scene from picking just one area of the scene. Another is the redesigned LCD screen that Nikon’s has been rolling out across its cameras of late, which the lacks the air gap found on previous models and promises clearer images.

Performance

The Nikon D7100 is clearly a very well thought out and put together DSLR. Its new screen is a major plus. It’s not just the larger-than-average 3.2in LCD screen, as well as the 1224k-dot resolution, but bright, vivid colours and outstanding viewing angles. It’s as clear as any DSLR screen going. The viewfinder is just as good, so you always get a clear idea of what you’re shooting and the end result.

As you’d hope for a harga kamera DSLR Nikon pitched at enthusiast photographers, the D7100 is pleasingly prompt and responsive in use. One flick of the power switch has the camera prepared and ready for image capture in an instant. The only real slowdown comes when shooting to Raw files to the memory card – a single image is no problem, but if you go to shoot a second file there is a slight delay before it’s displayed on the screen.

It’s also worth noting that the D7100 has a slightly limiting Raw burst depth of just six frames, despite having a Raw burst speed of 6fps. This means you’ll encounter slowdown when shooting a burst of images in just a second, and while you should be able to capture the image you need in that period, it’s far from desirable. But there is a workaround to achieve longer burst depths – select the lossy 12bit capture mode as opposed to the 14bit lossless mode, the depth can be extended to nine frames. There’s a workaround when it comes to speed, as well – if you’re happy to work in a 1.3x crop mode you’ll be able to manage a burst speed of 7fps.

Harga Nikon D7100 is available as a body only option. Should you wish to purchase the camera as a kit you’ll scoop the AF-S DX Nikkor 18-105mm F/3.5-5.6G ED VR. This lens offers near silent focusing, which is pleasing, while vibration reduction system is also visibly effective.

Nikon D7100 Review

Pros
Excellent LCD screen
Reliable and accurate auto white balance
Handles well

Cons
Locking buttons are fiddly
Slow processing times
Burst mode only so-so

source: http://www.trustedreviews.com/nikon-d7100-review

Nikon D610 Review

The Nikon D610 follows relatively quickly on from its predecessor, the Nikon D600, with good reason. Despite the Nikon D600 being the most affordable full-frame DSLR of all time on launch, it has its flaws, the most noticeable of which was that after a certain number of shutter actuations – around 3000 shots – some users experienced the appearance of unusual dust and oil spots in the upper left portion of the frame.

These spots – it was claimed – were a result of a fault with the camera’s shutter mechanism and although Nikon did issue a service notice, the D600 was avoided by those in the know. So while the D610 does offer several new features, its role is more to the fix the tarnished reputation of its predecessor. Let’s take a closer look and see how it gets on.

Features

On the whole not a lot has changed, but this isn’t a bad thing as the Nikon D600 was an impressive high-end DSLR. The core feature of the Nikon D610 remains its full frame CMOS sensor. The sensor offers a resolution of 24.3MP in Nikon’s FX format, while it also supports Nikon’s 1.5x DX crop mode, and therefore offers native support to Nikon’s DX lenses.

The sensor is accompanied by Nikon’s EXPEED 3 image processing engine which promises some impressive speeds, as well as facilitating a native ISO range of 100-6400, which can be extended from ISO 50 to ISO 25,600.

The rear of the camera sees the retention of Nikon’s 3.2-inch, 921k-dot LCD screen which features auto-adjustment technology to suit the brightness to that of the surrounding conditions. In terms of AF performance, the Nikon D610 features the same pro-level 39-point AF system complete with 9 cross-type sensors and enhanced performance in low light conditions. The AF system also supports 3D focus tracking thanks to the D610’s Scene Recognition facility.

The Nikon D610 can also fit in with Nikon’s wireless flash system thanks to the built-in flash, with the added bonus of TTL or manual flash control. The need to relaunch the Nikon D600 in the form of the Nikon D610 does appear to be somewhat of a missed opportunity in some respects, most noticeably in the fact that the D610 still doesn’t feature Wi-fi functionality. If you’re looking to use Wi-fi on the Nikon D610, you’ll have to stump up for the Nikon WU-1b mobile Wi-fi adapter.

The main area the Nikon D610 has redressed is the camera’s shutter system. Thanks to the noted issues with the D600’s shutter mechanism, the D610 now features a whole new unit that, while also hopefully more reliable than the predecessor, also comes with some performance improvements.

Design

There’s very little to distinguish the D610 from its predecessor. Once again, as with the specification of the D610 being so similar to the D600 not being a bad thing, the same is true of the design as the D600 was both an attractive and harga kamera nikon. As you’d expect from an advanced DSLR such as the D610, the model sees a range of external controls dotted around the body of the camera offering direct access to key shooting functionality.

The dials themselves are well proportioned, offering a comfortable hold and a pleasing amount of resistance upon turning. The mode dial on the camera’s top plate is also well designed and is lacking in any unnecessary clutter. The mode dial is supplemented by an additional release mode dial that sits beneath it, with the pair both benefiting from a locking mechanism to guard against unwanted turning.

In terms of the camera’s construction, the Nikon D610 features both top and bottom plates constructed from magnesium alloy, offering solid build quality. The rest of the camera is constructed from poly-carbonate plastic, with the two materials combining to offer a decent level of weather sealing against the elements. The D610 feels solid in the hand thanks to a generous hand-grip that easily accommodates even larger hands without the little finger hanging off the end.

Performance

Apart from the purported dust spot / oil shutter mechanism issue, the D600 delivered an impressive level of performance that was sure to please any advanced photographer.

We tested out the Nikon D610 to well in advance of the 3,000 shot mark at which dust spots were previous noticed and when inspecting images at 100% magnification we can confidently note the absence of any oil or dust. It’s fair to say that the new shutter mechanism has solved that issue, but are the other benefits of the new mechanism up to scratch? While the D610 matches the claimed 6fps continuous shooting rate with ease, the ‘Quiet Continuous’ shooting mode is somewhat of a disappointment. Although it’s certainly quieter than before, it’s still audible and will be too loud for shooting close-up to wildlife, for example.

One slight disappointment with the camera’s performance is with AF speed in Live View mode. When trying to track moving subjects in Live View the AF speed really isn’t up to scratch and in general it really only excels when it comes to working with static subjects close-up.

AF performance in the traditional sense is a lot more impressive, with Nikon’s 3D Tracking AF system particularly catching the eye. If you want to fine tune the AF performance, the 29, 21 and 9-point Dynamic AF modes are also pleasing. Whichever mode you chose to utilise, the AF system locks on the subject in almost any lighting conditions and delivers a level of performance in keeping with the high-end proposition of the Harga Nikon D610.

Nikon D610 Review

Pros
First-class handling
Great performance from the sensor
Impressive AF performance

Cons
No native Wi-Fi
Too closely-grouped AF points

source: http://www.trustedreviews.com/nikon-d610-review

Nikon D5300 Review

The Nikon D5200 was, and still is, a successful upper entry-level DSLR that offers an appealing combination of a solid imaging specification with good build quality at a price that keeps it in reach of entry-level upgraders. The D5300 looks to further expand the feature-set with the new addition of Wi-fi functionality, as well as a newly developed sensor and several other tweaks. With the D5200 impressing so much, the question is whether the D5300 improvements will be particularly keenly felt. Let’s take a closer look and see if we can find out.

Nikon D5300: Features

Although the Nikon D5300 does feature some eye-catching areas of improvement, it shares a lot its specification with its predecessor.

For example, it features the same 39-point AF system as seen in the D5200, a system that utilises the Multi-CAM 4800DX AF sensor module. This set-up incorporates nine cross-type AF points which, thanks to 3D focus tracking, should cope well with moving subjects. A further improvement could have been made via the adoption of the D7100’s 51-point AF system, although the 39-point AF system is certainly in line with competing DSLRs.

The D5300 also features the same EXPEED 4 image processing engine, although the lack of development here isn’t particularly surprising owing to the fact that the D5200 was one of the first Nikon DSLRs to feature the newly developed processor. As a result of it featuring the same processor, the D5300 maintains the same headline continuous shooting rate of 5fps.

The D5300 also relies upon Nikon’s trusty 2016-pixel metering set-up, which is paired with Nikon’s Scene Recognition System to ensure even exposures in a variety of shooting conditions. So far, so similar, although when you look towards the camera’s connectivity you’ll notice some major improvements. Where it was previously the case that you would have to purchase a separate adapter to give the D5200 Wi-Fi functionality, the D5300 now features an in-built Wi-Fi receiver. As a result you can wirelessly transfer images from the camera to a smartphone or tablet, as well as control the camera wirelessly using the free app.

The D5300's sensor is another area that sees improvements, as although it features the same 24.2MP resolution – as well as retaining the APS-C dimensions – the sensor itself sees the removal of its anti-alias filter. As a result, the D5300 should deliver even better levels of sharpness and clarity in comparison to its predecessor. This new sensor also features a larger ISO range, covering 100-12800 as opposed to 100-6400.

Finally, the Nikon D5300 features an improved LCD screen, which now measures in at 3.2-inches and boasts a resolution of 1037k-dots. One noticeable oversight, and one that could really count against it, is that the screen is still lacking in touchscreen functionality.

Design

On the whole the D5300 continues the design trend of the D5000 series, being slightly larger than the standard entry-level models yet smaller than the D7100, for example. It’s not a total doppelganger for its predecessor, however, as the D5300 feels slightly more compact than the D5200 thanks to a more angular body.

Thanks to the fact that the D5300 has a larger screen than the D5200 there’s less real estate on the back of the camera. As a result the buttons below the screen are a touch smaller than before, but this isn’t to the great detriment of the feel of the camera. In fact, Nikon has repositioned both the d-pad controls and the playback button to incorporate a new larger thumb rest, and as a result the camera actually handles better than before.

One feature that was absent on the D5200 and is still missing from the D5300 is a secondary command dial. Although more high-end Nikon models have this feature as standard, it’s possible that space constraints have led to its omission on the Nikon D5000 series to date. As a result, if you want to change secondary shooting controls, such as aperture in manual mode, you’ll have to make do with a combination of the exposure compensation button and the rear scroll dial.

Although this isn’t the most difficult combination, it would be much better if you had a secondary command dial and this is a feature that several competing models boast.

The D5300 feels solid in the hand thanks to good build quality, and despite not feeling any less robust than its predecessor it’s some 20g lighter.

Performance

The general level of performance, as you’d expect from a camera that inherits a lot of its functionality and specification from the Nikon D5200, is impressive. The focus system offers a good number of AF points which themselves offer a good range of coverage across the frame, something which can’t always be said of competing DSLRs. This level of coverage results in some impressive focusing speeds, although there is a slight tendency to slow in low lighting conditions. That being said, the 3D-tracking mode is a highlight, managing to maintain sharp images throughout a continuous burst of images.

One area in which AF performance is a touch disappointing is if you’re shooting in Live View. Owing to the fact that the D5300 relies upon contrast detect AF for live view, and thus has to flip the mirror out of the way to lock focus, the whole process is sluggish and somewhat disappointing.

In terms of shot-to-shot speed the D5300 delivers exactly the same level of performance as seen on the camera’s predecessor. The claimed maximum burst rate of 5fps can be achieved for an unlimited number of frames if you’re shooting just JPEG files, although if you choose to shoot Raw JPEG the burst depth is limited to six frames. The shot-to-shot delay is negligible in regular shooting, with the D5300 proving to be a fairly swift operator, in general.

It’s certainly welcome that Nikon has installed Wi-Fi connectivity to the D5300, doing away with the need to buy a mobile adapter that costs around £50. The Wi-Fi system, and accompanying app, is very well suited to reviewing and transferring images already captured on the camera. When reviewing images you’re given the option to store them to your device, as well as an option of different sizes at which you can save them.

Unfortunately, the wireless camera control aspect of the app is something of a letdown. Unlike some other manufacturer apps, the Nikon Wireless Mobile Utility app doesn’t allow for camera settings to be altered. Instead you have to with controlling autofocus and the shutter release, although for the rest of the functionality you have to physically adjust the harga kamera nikon.

Nikon D5300 Review

Pros

Built-in Wi-fi addition

Good build quality

Decent continuous shooting rate

Cons

Built-in 2.5mm mic socket

App performance is disappointing with Wi-Fi

Disappointing kit lens

Lacking in live view app previews

source: http://www.trustedreviews.com/nikon-d5300-review

Nikon D750 Review

The Nikon D750 is a full-frame DSLR for the kind of photographer who wants a camera one step down from the pro models. You get the low-light flexibility that comes with a full-frame sensor, and some features generally left out of the top models – all without some of the extra cost of the top dogs.

At £1,799 body only, the Nikon D750 is an excellent choice for the buyer who doesn’t yet want, or need, the extra dynamic range and pro-level control offered by the £800 more expensive Nikon D810.

Design and Handling

The Nikon D750 is a large 24-megapixel DSLR. While we’re starting to see smaller full-frame interchangeable cameras introduced, like the Sony A7 and Sony A7R, this camera brings no radical changes to the shadows cast by Nikon’s FX DSLRs.

It is slightly smaller than the Nikon D610, though, as its 140.5 x 113 x 78mm body is a good 4mm slimmer. Construction sits somewhere between the plastic entry-level and mid-range Nikon DSLRs and the all-magnesium-alloy Nikon D810. The front part of the camera is plastic reinforced with carbon fibre, while the top plate and rear panel are magnesium alloy.

The thought here is to use the tougher material where the Nikon D750 is most likely to get bashed and scraped. It should work too – as with a lens attached the front of the camera should rarely be resting against anything but your hand.

Despite using a fair bit of plastic in its construction, though, the Nikon D750 is still quite heavy compared with lower-end models. It weighs 840g with the battery and memory card in tow, so if you’re planning on stepping up your camera hardware from a lesser model, you’ll have to step up with it.

The weight and relatively chunky frame are important elements in making a camera feel at-home with a serious piece of glass attached to it, though. As well as having the heft to convincing carry such cargo, the Nikon D750 also has an excellent, deep handgrip. It feels well balanced, and ready to take on the more serious FX and DX series lenses. Like the Nikon D610, the D750 will take two SD cards at once, and they can be set to record separately in RAW and JPG. This will make reviewing images a good deal less fiddly – or alternatively you can pool their storage for greater capacity.

Screen and Features

You’ll also see some features left out of Nikon’s real top-end models. What will be the draw for many is the Nikon D750’s 3.2-inch tilt screen: the Nikon D810’s screen is fixed. While not fully articulated, the Nikon D750’s tilting display will be extremely handy for video shooters, not to mention anyone shooting from well below eye level. Of course, the D750 is a bit of a heavyweight to start flinging around like a compact – it weighs more than four times as much as the Nikon 1 J4 CSC.

The Nikon D750’s screen is good, too. Like other recent Nikons it adopts the WRGB pixel structure for greater maximum brightness without sucking too much battery power. You can also tweak the colour calibration in the settings menu to your satisfaction. We were pretty happy with the Nikon D750’s screen performance off the bat, though. Contrast and colour are strong, and the 1,229k dot resolution is the same as you get with the Nikon D810. It’s not a touchscreen, but such a feature would likely feel out of place in a camera of this grade.

As well as having a tilt screen, the Nikon D750 is the very first full-frame Nikon DSLR to offer integrated Wi-Fi. It was left out of the D810 for reasons unknown, and before now you had to pay for a £45 adapter to get it in your Kamera DSLR Nikon.

Like other Wi-Fi cameras, this lets you transfer images to a phone easily, and remotely take pictures, using your phone as a virtual shutter button.

Controls

In having Wi-Fi and a tilting screen, the Nikon D750 actually benefits from being a somewhat mid-range model rather than a top one, and there are significant differences in its manual controls, compared to the D810.

The Nikon D750 keeps the standard mode dial, often left out of top-end cameras, and it sits to the left side of the top plate. Other controls are arranged around the rear display. This kind of control layout is very much that of an enthusiast model rather than a pro one. It’s more accessible for most people, but lacks a few quick-control buttons you get with the D810 that can shoot up speeding once you really get to grips with the camera.

Nikon D750 Review

Pros
Excellent AF performance
Great image quality
Solid handling

Cons
Misses some manual control features of the D810

source: http://www.trustedreviews.com/nikon-d750-review

Nikon D3300 Review

It’s odd to think how quickly camera technology can pass from the realm of the pro to the amateur, from cutting-edge to passé. Once upon a time we were all astounded by the 24.5MP resolution of the Nikon D3X, a camera designed for professional photographers who were willing to spend £4200 on their gear. Four years later and some people might reasonably be disappointed that the entry-level £500 Nikon D3300 'only' carries the same 24.2MP resolution as its direct predecessor the Nikon D3200. How things change.

Despite the identical resolutions of the Nikon D3300 and D3200, there is one very important difference that impacts image quality. For the D3300, Nikon has removed the optical anti-aliasing filter. This is a filter installed in digital cameras to reduce occurrences of optical aberrations such as moiré patterning – unwanted artifacts appearing on images that feature repetitive detail patterns. While anti-aliasing filters reduce this effect, the cost is a loss in sharpness. Recently it has become a trendy move for camera manufacturers to remove the filters entirely in favour of optimal sharpness, relying on big megapixel counts to cope with any moiré-causing patterns.

The effect for a camera like the Nikon D3300 is that its high-resolution sensor is now able to capture every possible detail, putting it in the same league with more advanced (and more expensive) cameras. And with that, things get more interesting.

Nikon D3300 vs D3200: What's the difference?

The resolution may be the same as the D3200, but the D3300 has plenty of other improvements under the bonnet. Chief among these is the new Expeed 4 image-processing engine. Nikon’s fastest processor yet, it improves the D3300’s ISO sensitivity to an impressive maximum of 25,600 and its shooting rate to 5fps – not top of the league but very impressive for an entry-level camera. There are also a few new automatic flash modes, including an option for fill flash.

It’s worth noting that there is plenty that remains the same from the previous model in the series. You’ve got an 11-point AF system, a 3-inch 921k-dot rear screen and a 420 pixel RGB sensor metering system, all things that D3200 users will find thoroughly familiar. The D3300 shoots images in JPEG and 12-bit Raw formats, and is capable of saving them to SD, SDHC or SDXC memory cards.

The D3300 also carries one big absence over from its predecessor: built-in Wi-Fi. While Nikon (finally) introduced built-in wi-fi with the D5300, the technology did not carry over to the D3300, which still relies on the separately available WU-1a adapter. It’s not a huge annoyance, just be aware that you’ll have to shell out an extra £40 or so if you want to use Wi-Fi on your D3300.

Elsewhere there are a number of other optional extras on the D3300. You can attach the Nikon GP-1 module to a socket on the side of the camera in order to geotag images. There are also a number of additional shooting modes: a Rangefinder Mode (finding which requires a little digging into the menus); Mirror Lock-Up, though only for sensor cleaning, not for shooting; Easy Panorama, which automatically stitches several images together; and Effects Mode, with visual filters such as high-key and Selective Colour.

To pair with the D3300, Nikon unveiled a new retractable kit lens, the F-S DX NIKKOR 18-55mm f/3.5-5.6G VR II lens, an impressively sharp number with a minimum focus distance of 25cm (when manually focusing; 28cm with AF).  As the camera lacks a built-in AF motor it requires AF-S lenses in order to be able to autofocus.

Nikon D3300 Review

Pros
Excellent value
Great performance for entry-level camera
High resolution at low price

Cons
High levels of image noise
Awkward manual focusing with kit lens
No built-in Wi-Fi

source: http://www.trustedreviews.com/nikon-d3300-review

Nikon D810 Review

The Nikon D810 is the camera that replaces the classic D800 and D800E. It’s a full-frame 36.3-megapixel camera that offers some of the best images you can get from any DSLR. Nikon claims it produces the finest photos of any of its cameras, ever.

For serious and professional photographers, the £2,700 body-only asking price won’t seem as intimidating as it does to the rest of us. But it is a camera you’ll need to invest in lenses for to get the most out of. We can also understand existing owner of the Nikon D800 and D800E being slightly disappointed too. This is not an essential or dramatic upgrade, and it misses out on a few features that might seem like obvious no-brainer additions. It’s not a revelation, but the Nikon D810 remains a fantastic camera regardless, and one whose images are near-unbeatable.

Design and Handling

From a brief glance, or even an extended one, the Nikon D810 looks extremely similar to the D800. It’s a large DSLR, but one that has a conventional look, steering away from the much bulkier design of the Nikon D4S, Nikon’s flagship DSLR.

Construction quality is fantastic. The Nikon D810 is made using a magnesium alloy, giving it a much tougher feel than plastic-bodied low- and mid-range DSLRs.

Despite magnesium’s light weight, the D810 still weighs a hefty 830g. However, this heft is important as the body needs to be able to balance giant, heavy lenses rather than feeling as though it might collapse under their weight.

Nikon has not rocked the boat with the D810 design, but there are a few little changes here and there. The handgrip has changed a bit, offering greater contouring for your index finger on the front grip and a more pronounced thumb grip on the rear.

A note on low-pass filters

One of the biggest changes made by the Nikon D810 is something we can’t see so easily, though. In the last generation, Nikon released two versions of essentially the same camera.

The Nikon D800 has a low-pass filter, the Nikon D800E does not, and was released just a month later. Low-pass filters help avoid moire patterning, the rainbow effect seen at times when trying to resolve a high-contrast, tight pattern.

Nikon does not use a low-pass filter in the D810, and there’s no alternative model with one. As a result, the D810 is somewhat susceptible to moire noise, but is also exceptionally sharp. Low-pass filters have a slight blurring effect, and removing them from higher-end cameras has become something of a trend over the last couple of years.

Screen

Another important change is seen in the screen. Like the Nikon D800E, the D810 has a 3.2-inch display, but quality has been substantially improved.

Resolution has been increased from 921k dots to 1.23 million dots. However, the pixel structure has been altered significantly too. The Nikon D810 uses an RGBW screen rather than a standard RGB one. The final white sub-pixel is used to increase maximum brightness without consuming too much power.

So while this extra subpixel largely accounts for the increase in screen dots, it does help to significantly increase outdoors visibility, and we found image quality in general much improved. Contrast and colour fidelity are both better, making the display a much better judge of image quality than the D800’s one.

While we imagine most Nikon D810 photographers will use the viewfinder predominantly for shooting, there is a Live View mode that makes this display improvement useful for shooting rather than just looking back at images already captured.

There’s also a new feature for Live View, one that lets you zoom in on two different areas on-screen at the same time. You might, for example, want to look at the focal point and an area in a blurred background to check its quality while shooting.

The one limit of Live View is that when using it you’re restricted to contrast detection focusing, as the mirror has to be raised while using the mode, ruling-out being able to use phase detection.

It’ll do the trick for more casual daytime shooting, although the screen doesn’t flip out as it does on many lesser cameras. To be fair – you’d look pretty silly shooting selfies with the DSLR Nikon D810.

Nikon D810 Review

Pros
Fantastic image quality
Fast and accurate autofocus
Superb dynamic range

Cons
No inbuilt Wi-Fi
No 4K video capture
Not a huge upgrade over the D800E

source: http://www.trustedreviews.com/nikon-d810-review